Approaches to understanding
V i s u a l C u l t u r e
-
malcolm barnard
Chapter 1:
Understanding Visual Culture
Pg 17.
Studying the
shapes and textures of a piece of visual culture is not the same
sort of activity as investigating the social, gender and conceptual
structures that piece exists within. Therefore, it could be claimed
that the formal approach is not offering an understanding of the
piece. Or it could be claimed that it is offering a different sort
of understanding from the structural approach. Similarly, it could
be argued that the imaginative reconstruction
of the opinions and point of view of a character in a painting does
not offer an understanding of the painting at all
..
It will argue that there are many ways of understanding visual culture,
each with its own strengths and weaknesses.
Chapter 2:
Explanation and Understanding: Visual Culture and Social Science
Pg
20.
There are two
basic approaches to the study and understanding of visual culture,
a phenomenological and hermeneutic subject - based one and a structural,
object-based one.
{{{{Pg 21.
In eighteenth
and nineteenth centuries, of course, the progress of science was
astonishing. Antoine Lavoisier (1743-94) is often credited with
being the founder of modern chemistry, devising the modern method
of naming chemical compounds, distinguishing elements from the compounds
and, with Joseph Priestly (1733-1804) going some way to describing
the contents of the air we breathe. Michael Faraday }}}}}
Pg 22
As Bauman points
out, Comte and Durkheim both believed that facts were 'things',
existing independently of individual experience, objectively 'out
there' in the world and waiting to be discovered by diligent researchers
using the proper methods (Bauman 1978: 15).
Mill, in his System of Logic, published in 1843, argues something
rather similar For him, explaining human behavior is also a matter
of 'establishing casual sequences' and assuming them under 'laws'
of human nature and society (Winch 1958:67,70). These 'laws' human
nature and society are apparently to be regarded as being the same
kind of things as the laws of nature. As Winch points out, for Mill
There can be no fundamental logical difference
between the principles according to which we explain natural changes
and those according to which we explain social changes. (Ibid,:71)
Pg 23
There
are no facts without interpretation and there can be no interpretation
in the absence of facts. Similarly, he is aware that talk of 'laws'
of society is as old' fashioned as it is presumptuous, but still
wants to be able to talk of 'principles', even if these 'principles'
are supported by 'facts' which are themselves only facts according
to the 'principles' by means of which they have been selected
(ibid.58-9)
Pg 24
Walsh eschews
the (positivist) idea that facts and theory are entirely independent
of each other, with a fact simply existing, 'whether or not anyone
takes any notice of it' (ibid.: 77). And he agrees that facts are
only facts in the context of some theory. But he will not accept
the (relativist) consequence that this means that all historical
facts are unconnected with reality (ibid.: 88)
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